Crow & Cross Keys is a new, online literary journal that plucks fiction and poetry from skeletal trees and gives it a place to take root.
Send us your skeleton keys, your tar-black feathers, send us your calcified forests and ramshackle castles. Take us somewhere beautiful and dark and strange.
The House—Christel Thompson
I don’t remember when
I first woke here anymore.
Or perhaps it’s not that I don’t remember,
but rather that I simply don’t know—
when this started, where I am.
Featured Flash
Shedding Skin—Sarah McPherson
A girl who is born by the sea has salt water in her blood. She is nursed by sea foam as well as at her mother’s breast. Her first toys are pearlescent shells, pitted drift glass gems, many-coloured pebbles polished smooth, driftwood shapes that she fits together into odd, twisted figures.
Obit—Rebecca Harrison
Welimma Yog was the first Plutonian author and spent her years writing in the leftover light of the solar system. Not for her were the cities gliding Saturn’s rings, nor the ocean at Jupiter’s heart where the old cathedrals of England drift, salt-deep.
Featured Poetry
The Hand and the Knife—Ellen Huang
My brothers warned me of humans / Fleeting Folk, unbound by promises, / While our word means life or death to us.
The Factory Siren—Sylvia Santiago
Or, Virago ex machina, is native to far-flung lands, where the air is heavy with sweat. She is drawn to noise, mechanical, and to misery, female. Common habitats include buildings of industry where the walls sag, crumble, and threaten a return to earth.
Featured Stories
memento mori—Astrid Vallet
The bell tolls; their vigil ends, my workday is upon me. I peek through the curtains – drawing them lets in too much dawn – and I squint. It snowed, it snowed a lot. The family are gathered at the doors, mourning and weary faces are pale against the black outfits. The little one is with them, she yawns and holds onto her mother’s sleeve.
Thread the Bones—Emma Deimling
My daughter finds the bones after she falls off the swing set. Jane points at them, and I nod. She points again and I nod.
She begins to play with the bones, picking up a clavicle and smacking it against a dorsal bone next to her skinned knee. The skeleton was a small thing, the bones lean and fragile, the whiteness startling even in the cloudy midday light.
Would you like to see your work featured among our plume of feathers? Head over to our submission page, we would love to read your words.
If you like what you see, pop us a tweet at @crowkeys or tag us on instagram at @crowcrosskeys. We want to hear from you!
Crow & Cross Keys 